Description
Kuwaiti musician, DJ, and conceptual artist Fatima Al Qadiri is one of the most creative electronic music producers active during the 2010s and 2020s. Her provocative, elaborate works examine subjects such as war and sociocultural identity, while fusing several up-to-date dance and experimental electronic styles. OnAsiatisch, Al Qadiri devises a soundtrack for an imagined or (mis-)interpreted form of China. When this was released, she had yet to visit the country, though she was well aware of how it is fetishized, caricatured, and demonized by outsiders. Oddly enough, she was unaware that Hyperdub headKode9had termed certain U.K. grime tracks likePreditah‘s “The Big Wok” a favorite of hers — as “sino grime” and made a mix out of that and other Chinese-themed tracks back in 2005.
The album begins somewhat contrarily, with the beatless and elegiac “Shanzhai” — which incorporates a translated a cappella recording ofHelen Fengsinging thePrincecomposition “Nothing Compares 2 U.” The following tracks, several of which are named after cities and locations, incorporate sampled or synthesized analogs of struck and plucked instruments, as well as woodwinds. Otherwise, they’re not exactly stylistic departures from Al Qadiri’s past work, rhythmically tricky with chilling and occasionally alienating qualities transmitted through sweeping and swarming synthesizers and distant voices. The most direct track is the shuffling “Dragon Tattoo,” a kind of parody involving cooed refrains of “I got a dragon tattoo on my arm, and I mean to cause you harm” and “Speak Chinese, if you please.” Tuning out the conceptual aspect is close to impossible, but there are some moments — as in the hypnotic “Shanghai Freeway” — that can be enjoyed on a purely musical level. via AllMusic
Label: Hyperdub
Format: Vinyl, LP, Album
Released: 2014
Genre: Electronic
Style: Grime, Bass Music
File under: Leftfield
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