Description
The late Jaki Byard was, arguably, the most versatile pianist in jazz, though he also played trombone and was an excellent tenor saxophonist. Born in 1922, he grew up during the golden era, and while younger thanDuke Ellington, he embraced, as had his predecessor, all of the changes the music went through, from its origins in New Orleans through the free improvisation era. Byard would, in a single solo concert, reveal his truly awesome mastery of the aforementioned styles, as well as R&B, stride, swing, funk, blues, honky tonk, and the extreme arpeggios ofArt Tatum.
His first recording as a leader was not released domestically until it was released on CD. That fact seems strange for Byard is absolutely brilliant on the solo piano set. Many of his selections (all nine tunes are his originals) look both backwards to pre-bop styles and ahead to the avant-garde including such numbers as “Pete and Thomas (Tribute to the Ticklers),” “Spanish Tinge No. 1,” and “One, Two, Five.” The most remarkable selection is “Jaki’s Blues Next” which has Byard alternating betweenJames P. Johnson-type stride and free form laCecil Taylor; at its conclusion he plays both styles at the same time. A highly recommended outing from a very underrated pianist. via Label
Label:Candid
Format:Vinyl, LP, Album, Reissue, Remastered, Stereo
Reissued: 2025 / Original Release: 1971
Genre:Jazz
Style:Post Bop
File under: Jazz – Piano & Organ
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