Description
The trio of Moritz von Oswald, Max Loderbauer (NSI / Sun Electric) and Sasu Ripatti (Vladislav Delay / Luomo), with a third album, this time enriched and expanded by guitar contributions from Paul St Hilaire (also known as Tikiman), and double bass courtesy of Marc Muellbauer (via ECM). Horizontal Structures is palpably a more open, more expressive album than the previous studio recording, Vertical Ascent. There is more contrast, more light and shade. St Hilaire and Muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping. The coherence of the five-piece is remarkable; the boundary between acoustic and electronic undone. The groups evolution is firmly signalled in the opener, “Structure 1”. Theres a lush, romantic quality to the playing and arrangement that weve not heard before: the guitar licks have a bluesy lilt, the bass imparts melody as well as physical presence, the synth sequences are more painterly, looser somehow, and Ripattis percussion roams feelingly.
“Structure 2” is like 70s spy-flick jazz or groove-heavy Krautrock stripped to its barest essence, Loderbauer and von Oswalds electronics glistening in a sticky cobweb of reverb and delay. The languidly stepping Structure 3 faintly recalls von Oswalds work with Mark Ernestus as Rhythm And Sound, with St Hilaires chords hanging thick above bone-dry drum machine drift.
Lastly, “Structure 4”, the track structurally closest to techno, is pervaded by a sense of mischief, with Muellbauers strings plucked, bowed, scraped coming to the fore. For all its complexity, this is also a very playful album, and the Trios increased confidence and empathy as improvisers allow them to indulge flights of percussive fancy, sudden about-turns, vectors into the unknown. Horizontal Structures sounds, above all else, free. via Label
Label: Honest Jon’s Records
Format: 2x Vinyl, LP, Album
Released: 2011
Genre: Electronic
Style: Abstract, Dub Techno, Dub, Experimental
File under: Ambient / Experimental / IDM
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