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Exclusive die cut cover. It took four years for The Lumineers to follow up their platinum-plus, multi-Grammy-nominated, self-titled debut – which spent 46 weeks on the Billboard 200 and peaked at #2 – but Cleopatra is well worth the wait. The band had total artistic freedom in writing and recording the album, so Wesley and Jer pushed the envelope on experimental tracks like the stream-of-consciousness, purposely lo-fi “Sick in the Head,” the yearning, piano chord build-up of “In the Light,” or the closing orchestral instrumental, the aptly titled coda, “Patience.” “We continue to make the kind of records we want to,” says Wesley. “We believe in this music. It’s a true labor of love. We just want to keep reaching more people with our songs.” Given the evidence on The Lumineers’ eagerly anticipated sophomore album Cleopatra, that shouldn’t be a problem.





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